NATIONAL UNIVERSITY

Department of English - First Year Syllabus ( effective from 2013-2014 Session)

First Year Course Structure
24 Credits Total
Paper Code Paper Title Marks Credits
211101 English Reading Skills 100 4
211103 English Writing Skills 100 4
211105 Introduction to Poetry 100 4
211107 Introduction to Prose: Fiction and Non-Fiction 100 4
212009/212111/211909 Introducing Sociology OR Introduction to Social Work OR Introduction to Political Theory 100 4
211501 History of the Emergence of Independent Bangladesh 100 4
Total 600 24
211101 - English Reading Skills

English Reading Skills

Marks: 100 | Credits: 4 | Class Hours: 60

Reading skills

The Paper seeks to develop student' reading skills and covers the following sub-skills:

  • Guessing word meanings by using contextual clues
  • Understanding ornamental expressions
  • Tackling sentence meaning
  • Surveying text organization
  • Reading for specific information (skimming)
  • Reading for general comprehension (scanning)
Recommended books:
  • Williams. E. 1984 Reading in the Language Classroom. Macmillan
  • Wallace.1992. Reading, OUP
  • Barr. P. Clegg, J. and Wallace, C. 1981 Advance Reading Skills Longman
  • Walter, Catherine. 1988. Class Readers, OUP
211103 - English Writing Skills

English Writing Skills

Marks: 100 | Credits: 4 | Class Hours: 60

The course covers:

  • Paragraphs using various techniques
  • Essay writing: Descriptive, Narrative, Expository and Argumentative
  • Report writing: Newspaper, Survey, Business
  • Formal and Informal Letters
  • Notice, Memo, Notes, Press Release, Minutes
Writing skills
211105 - Introduction to Poetry

Introduction to Poetry

Marks: 100 | Credits: 4 | Class Hours: 60

Poets and Poems:
William Shakespeare
William Shakespeare

"Shall I compare thee to a summer's day?" (Sonnet 18)

Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date; Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And every fair from fair sometime declines, By chance or nature's changing course untrimm'd; But thy eternal summer shall not fade, Nor lose possession of that fair thou ow'st; Nor shall death brag thou wander'st in his shade, When in eternal lines to time thou grow'st: So long as men can breathe or eyes can see, So long lives this, and this gives life to thee.
John Milton
John Milton

"On His Blindness"

When I consider how my light is spent Ere half my days in this dark world and wide, And that one talent which is death to hide Lodged with me useless, though my soul more bent To serve therewith my Maker, and present My true account, lest he returning chide; "Doth God exact day-labor, light denied?" I fondly ask. But Patience, to prevent That murmur, soon replies: "God doth not need Either man's work or his own gifts. Who best Bear his mild yoke, they serve him best. His state Is kingly: thousands at his bidding speed, And post o'er land and ocean without rest; They also serve who only stand and wait."
John Donne
John Donne

"The Good-Morrow"

I wonder, by my troth, what thou and I Did, till we loved? Were we not weaned till then, But sucked on country pleasures, childishly? Or snorted we in the Seven Sleepers' den? 'Twas so; but this, all pleasures fancies be. If ever any beauty I did see, Which I desired, and got, 'twas but a dream of thee. And now good-morrow to our waking souls, Which watch not one another out of fear; For love all love of other sights controls, And makes one little room an everywhere. Let sea-discoverers to new worlds have gone, Let maps to other, worlds on worlds have shown, Let us possess one world, each hath one, and is one. My face in thine eye, thine in mine appears, And true plain hearts do in the faces rest; Where can we find two better hemispheres, Without sharp north, without declining west? Whatever dies, was not mixed equally; If our two loves be one, or thou and I Love so alike that none do slacken, none can die.
Robert Herrick
Robert Herrick

"To Daffodils"

Fair Daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attain'd his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having pray'd together, we Will go with you along. We have short time to stay, as you, We have as short a spring; As quick a growth to meet decay, As you, or anything. We die As your hours do, and dry Away, Like to the summer's rain; Or as the pearls of morning's dew, Ne'er to be found again.
Thomas Gray
Thomas Gray

"Elegy Written in a Country Churchyard"

The curfew tolls the knell of parting day, The lowing herd wind slowly o'er the lea, The plowman homeward plods his weary way, And leaves the world to darkness and to me. Now fades the glimm'ring landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds; Save that from yonder ivy-mantled tow'r The moping owl does to the moon complain Of such, as wand'ring near her secret bow'r, Molest her ancient solitary reign. Beneath those rugged elms, that yew-tree's shade, Where heaves the turf in many a mould'ring heap, Each in his narrow cell for ever laid, The rude forefathers of the hamlet sleep. The breezy call of incense-breathing Morn, The swallow twitt'ring from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed. For them no more the blazing hearth shall burn, Or busy housewife ply her evening care: No children run to lisp their sire's return, Or climb his knees the envied kiss to share. Oft did the harvest to their sickle yield, Their furrow oft the stubborn glebe has broke; How jocund did they drive their team afield! How bow'd the woods beneath their sturdy stroke! Let not Ambition mock their useful toil, Their homely joys, and destiny obscure; Nor Grandeur hear with a disdainful smile The short and simple annals of the poor. The boast of heraldry, the pomp of pow'r, And all that beauty, all that wealth e'er gave, Awaits alike th' inevitable hour. The paths of glory lead but to the grave. Nor you, ye proud, impute to these the fault, If Mem'ry o'er their tomb no trophies raise, Where thro' the long-drawn aisle and fretted vault The pealing anthem swells the note of praise. Can storied urn or animated bust Back to its mansion call the fleeting breath? Can Honour's voice provoke the silent dust, Or Flatt'ry soothe the dull cold ear of Death? Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire; Hands, that the rod of empire might have sway'd, Or wak'd to ecstasy the living lyre. But Knowledge to their eyes her ample page Rich with the spoils of time did ne'er unroll; Chill Penury repress'd their noble rage, And froze the genial current of the soul. Full many a gem of purest ray serene, The dark unfathom'd caves of ocean bear: Full many a flow'r is born to blush unseen, And waste its sweetness on the desert air. Some village-Hampden, that with dauntless breast The little tyrant of his fields withstood; Some mute inglorious Milton here may rest, Some Cromwell guiltless of his country's blood. Th' applause of list'ning senates to command, The threats of pain and ruin to despise, To scatter plenty o'er a smiling land, And read their hist'ry in a nation's eyes, Their lot forbade: nor circumscrib'd alone Their growing virtues, but their crimes confin'd; Forbade to wade through slaughter to a throne, And shut the gates of mercy on mankind, The struggling pangs of conscious truth to hide, To quench the blushes of ingenuous shame, Or heap the shrine of Luxury and Pride With incense kindled at the Muse's flame. Far from the madding crowd's ignoble strife, Their sober wishes never learn'd to stray; Along the cool sequester'd vale of life They kept the noiseless tenor of their way. Yet ev'n these bones from insult to protect, Some frail memorial still erected nigh, With uncouth rhymes and shapeless sculpture deck'd, Implores the passing tribute of a sigh. Their name, their years, spelt by th' unletter'd muse, The place of fame and elegy supply: And many a holy text around she strews, That teach the rustic moralist to die. For who to dumb Forgetfulness a prey, This pleasing anxious being e'er resign'd, Left the warm precincts of the cheerful day, Nor cast one longing, ling'ring look behind? On some fond breast the parting soul relies, Some pious drops the closing eye requires; Ev'n from the tomb the voice of Nature cries, Ev'n in our ashes live their wonted fires. For thee, who mindful of th' unhonour'd Dead Dost in these lines their artless tale relate; If chance, by lonely contemplation led, Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say, "Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away To meet the sun upon the upland lawn. "There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noontide would he stretch, And pore upon the brook that babbles by. "Hard by yon wood, now smiling as in scorn, Mutt'ring his wayward fancies he would rove, Now drooping, woeful wan, like one forlorn, Or craz'd with care, or cross'd in hopeless love. "One morn I miss'd him on the custom'd hill, Along the heath and near his fav'rite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he; "The next with dirges due in sad array Slow thro' the church-way path we saw him borne. Approach and read (for thou canst read) the lay, Grav'd on the stone beneath yon aged thorn." THE EPITAPH Here rests his head upon the lap of Earth A youth to Fortune and to Fame unknown. Fair Science frown'd not on his humble birth, And Melancholy mark'd him for her own. Large was his bounty, and his soul sincere, Heav'n did a recompense as largely send: He gave to Mis'ry all he had, a tear, He gain'd from Heav'n ('twas all he wish'd) a friend. No farther seek his merits to disclose, Or draw his frailties from their dread abode, (There they alike in trembling hope repose) The bosom of his Father and his God.
William Wordsworth
William Wordsworth

"I Wandered Lonely as a Cloud"

I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. The waves beside them danced; but they Out-did the sparkling waves in glee: A poet could not but be gay, In such a jocund company: I gazed—and gazed—but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.
Percy Bysshe Shelley
Percy Bysshe Shelley

"Ode to the West Wind"

O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The wingèd seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and Preserver; hear, O hear! II Thou on whose stream, ‘mid the steep sky’s commotion, Loose clouds like Earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine airy surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: O hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lulled by the coil of his crystalline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave's intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow grey with fear, And tremble and despoil themselves: O hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O Uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seemed a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh! lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chained and bowed One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like withered leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguished hearth Ashes and sparks, my words among mankind! Be through my lips to unawakened Earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?
John Keats
John Keats

"To Autumn"

Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours.
Alfred Lord Tennyson
Alfred Lord Tennyson

"Ulysses"

It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink Life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those That loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vext the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known—cities of men And manners, climates, councils, governments, Myself not least, but honored of them all,— And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am a part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades For ever and for ever when I move. How dull it is to pause, to make an end, To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, mine own Telemachus, To whom I leave the scepter and the isle, Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me, That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads—you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends, 'Tis not too late to seek a newer world. Push off, and sitting well in order smite The sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are, One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Robert Browning
Robert Browning

"The Patriot"

I It was roses, roses, all the way, With myrtle mixed in my path like mad: The house-roofs seemed to heave and sway, The church-spires flamed, such flags they had, A year ago on this very day. II The air broke into a mist with bells, The old walls rocked with the crowds and cries. Had I said, ‘Good folks, mere noise repels - But give me your sun from yonder skies!’ They had answered, ‘And afterward, what else?’ III Alack, it was I who leaped at the sun, To give it my loving friends to keep! Nought man could do have I left undone: And you see my harvest, what I reap This very day, now a year is run. IV There's nobody on the house-tops now - Just a palsied few at the windows set - For the best of the sight is, all allow, At the Shambles' Gate—or, better yet, By the very scaffold's foot, I trow. V I go in the rain, and, more than needs, A rope cuts both my wrists behind; And I think, by the feel, my forehead bleeds, For they fling, whoever has a mind, Stones at me for my year's misdeeds. VI Thus I entered, and thus I go! In such triumphs, people have dropped down dead. ‘Paid by the World, what dost thou owe Me?’ - God might question; now instead, 'Tis God shall repay! I am safer so.
Elizabeth Barrett Browning
Elizabeth Barrett Browning

"How Do I Love Thee?" (Sonnet 43)

How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of being and ideal grace. I love thee to the level of every day's Most quiet need, by sun and candle-light. I love thee freely, as men strive for right. I love thee purely, as they turn from praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith. I love thee with a love I seemed to lose With my lost saints. I love thee with the breath, Smiles, tears, of all my life; and, if God choose, I shall but love thee better after death.
Walt Whitman
Walt Whitman

"Crossing Brooklyn Ferry"

1 Flood-tide below me! I see you face to face! Clouds of the west—sun there half an hour high—I see you also face to face. Crowds of men and women attired in the usual costumes, how curious you are to me! On the ferry-boats the hundreds and hundreds that cross, returning home, are more curious to me than you suppose, And you that shall cross from shore to shore years hence are more to me, and more in my meditations, than you might suppose. 2 The impalpable sustenance of me from all things at all hours of the day, The simple, compact, well-join’d scheme, myself disintegrated, every one disintegrated yet part of the scheme, The similitudes of the past and those of the future, The glories strung like beads on my smallest sights and hearings, on the walk in the street and the passage over the river, The current rushing so swiftly and swimming with me far away, The others that are to follow me, the ties between me and them, The certainty of others, the life, love, sight, hearing of others. Others will enter the gates of the ferry and cross from shore to shore, Others will watch the run of the flood-tide, Others will see the shipping of Manhattan north and west, and the heights of Brooklyn to the south and east, Others will see the islands large and small; Fifty years hence, others will see them as they cross, the sun half an hour high, A hundred years hence, or ever so many hundred years hence, others will see them, Will enjoy the sunset, the pouring-in of the flood-tide, the falling-back to the sea of the ebb-tide. 3 It avails not, time nor place—distance avails not, I am with you, you men and women of a generation, or ever so many generations hence, Just as you feel when you look on the river and sky, so I felt, Just as any of you is one of a living crowd, I was one of a crowd, Just as you are refresh’d by the gladness of the river and the bright flow, I was refresh’d, Just as you stand and lean on the rail, yet hurry with the swift current, I stood yet was hurried, Just as you look on the numberless masts of ships and the thick-stemm’d pipes of steamboats, I look’d. I too many and many a time cross’d the river of old, Watched the Twelfth-month sea-gulls, saw them high in the air floating with motionless wings, oscillating their bodies, Saw how the glistening yellow lit up parts of their bodies and left the rest in strong shadow, Saw the slow-wheeling circles and the gradual edging toward the south, Saw the reflection of the summer sky in the water, Had my eyes dazzled by the shimmering track of beams, Look’d at the fine centrifugal spokes of light round the shape of my head in the sunlit water, Look’d on the haze on the hills southward and south-westward, Look’d on the vapor as it flew in fleeces tinged with violet, Look’d toward the lower bay to notice the vessels arriving, Saw their approach, saw aboard those that were near me, Saw the white sails of schooners and sloops, saw the ships at anchor, The sailors at work in the rigging or out astride the spars, The round masts, the swinging motion of the hulls, the slender serpentine pennants, The large and small steamers in motion, the pilots in their pilot-houses, The white wake left by the passage, the quick tremulous whirl of the wheels, The flags of all nations, the falling of them at sunset, The scallop-edged waves in the twilight, the ladled cups, the frolicsome crests and glistening, The stretch afar growing dimmer and dimmer, the gray walls of the granite storehouses by the docks, On the river the shadowy group, the big steam-tug closely flank’d on each side by the barges, the hay-boat, the belated lighter, On the neighboring shore the fires from the foundry chimneys burning high and glaringly into the night, Casting their flicker of black contrasted with wild red and yellow light over the tops of houses, and down into the clefts of streets. 4 These and all else were to me the same as they are to you, I loved well those cities, loved well the stately and rapid river, The men and women I saw were all near to me, Others the same—others who look back on me because I look’d forward to them, (The time will come, though I stop here to-day and to-night.) 5 What is it then between us? What is the count of the scores or hundreds of years between us? Whatever it is, it avails not—distance avails not, and place avails not, I too lived, Brooklyn of ample hills was mine, I too walk’d the streets of Manhattan island, and bathed in the waters around it, I too felt the curious abrupt questionings stir within me, In the day among crowds of people sometimes they came upon me, In my walks home late at night or as I lay in my bed they came upon me, I too had been struck from the float forever held in solution, I too had receiv’d identity by my body, That I was I knew was of my body, and what I should be I knew I should be of my body. 6 It is not upon you alone the dark patches fall, The dark threw its patches down upon me also, The best I had done seem’d to me blank and suspicious, My great thoughts as I supposed them, were they not in reality meagre? Nor is it you alone who know what it is to be evil, I am he who knew what it was to be evil, I too knitted the old knot of contrariety, Blabb’d, blush’d, resented, lied, stole, grudg’d, Had guile, anger, lust, hot wishes I dared not speak, Was wayward, vain, greedy, shallow, sly, cowardly, malignant, The wolf, the snake, the hog, not wanting in me, The cheating look, the frivolous word, the adulterous wish, not wanting, Refusals, hates, postponements, meanness, laziness, none of these wanting, Was one with the rest, the days and haps of the rest, Was call’d by my nighest name by clear loud voices of young men as they saw me approaching or passing, Felt their arms on my neck as I stood, or the negligent leaning of their flesh against me as I sat, Saw many I loved in the street or ferry-boat or public assembly, yet never told them a word, Lived the same life with the rest, the same old laughing, gnawing, sleeping, Play’d the part that still looks back on the actor or actress, The same old role, the role that is what we make it, as great as we like, Or as small as we like, or both great and small. 7 Closer yet I approach you, What thought you have of me now, I had as much of you—I laid in my stores in advance, I consider’d long and seriously of you before you were born. Who was to know what should come home to me? Who knows but I am enjoying this? Who knows, for all the distance, but I am as good as looking at you now, for all you cannot see me? 8 Ah, what can ever be more stately and admirable to me than mast-hemm’d Manhattan? River and sunset and scallop-edg’d waves of flood-tide? The sea-gulls oscillating their bodies, the hay-boat in the twilight, and the belated lighter? What gods can exceed these that clasp me by the hand, and with voices I love call me promptly and loudly by my nighest name as I approach? What is more subtle than this which ties me to the woman or man that looks in my face? Which fuses me into you now, and pours my meaning into you? We understand then do we not? What I promis’d without mentioning it, have you not accepted? What the study could not teach—what the preaching could not accomplish is accomplish’d, is it not? 9 Flow on, river! flow with the flood-tide, and ebb with the ebb-tide! Frolic on, crested and scallop-edg’d waves! Gorgeous clouds of the sunset! drench with your splendor me, or the men and women generations after me! Cross from shore to shore, countless crowds of passengers! Stand up, tall masts of Mannahatta! stand up, beautiful hills of Brooklyn! Throb, baffled and curious brain! throw out questions and answers! Suspend here and everywhere, eternal float of solution! Gaze, loving and thirsting eyes, in the house or street or public assembly! Sound out, voices of young men! loudly and musically call me by my nighest name! Live, old life! play the part that looks back on the actor or actress! Play the old role, the role that is great or small according as one makes it! Consider, you who peruse me, whether I may not in unknown ways be looking upon you; Be firm, rail over the river, to support those who lean idly, yet haste with the hasting current; Fly on, sea-birds! fly sideways, or wheel in large circles high in the air; Receive the summer sky, you water, and faithfully hold it till all downcast eyes have time to take it from you! Diverge, fine spokes of light, from the shape of my head, or any one’s head, in the sunlit water! Come on, ships from the lower bay! pass up or down, white-sail’d schooners, sloops, lighters! Flaunt away, flags of all nations! be duly lower’d at sunset! Burn high your fires, foundry chimneys! cast black shadows at nightfall! cast red and yellow light over the tops of the houses! Appearances, now or henceforth, indicate what you are, You necessary film, continue to envelop the soul, About my body for me, and your body for you, be hung out divinest aromas, Thrive, cities—bring your freight, bring your shows, ample and sufficient rivers, Expand, being than which none else is perhaps more spiritual, Keep your places, objects than which none else is more lasting. You have waited, you always wait, you dumb, beautiful ministers, We receive you with free sense at last, and are insatiate henceforward, Not you any more shall be able to foil us, or withhold yourselves from us, We use you, and do not cast you aside—we plant you permanently within us, We fathom you not—we love you—there is perfection in you also, You furnish your parts toward eternity, Great or small, you furnish your parts toward the soul.
Emily Dickinson
Emily Dickinson

"Because I could not stop for Death"

Because I could not stop for Death – He kindly stopped for me – The Carriage held but just Ourselves – And Immortality. We slowly drove – He knew no haste And I had put away My labor and my leisure too, For His Civility – We passed the School, where Children strove At Recess – in the Ring – We passed the Fields of Gazing Grain – We passed the Setting Sun – Or rather – He passed Us – The Dews drew quivering and Chill – For only Gossamer, my Gown – My Tippet – only Tulle – We paused before a House that seemed A Swelling of the Ground – The Roof was scarcely visible – The Cornice – in the Ground – Since then – 'tis Centuries – and yet Feels shorter than the Day I first surmised the Horses' Heads Were toward Eternity –
W.B. Yeats
W.B. Yeats

"A Prayer for My Daughter"

Once more the storm is howling, and half hid Under this cradle-hood and coverlid My child sleeps on. There is no obstacle But Gregory's wood and one bare hill Whereby the haystack- and roof-levelling wind, Bred on the Atlantic, can be stayed; And for an hour I have walked and prayed Because of the great gloom that is in my mind. I have walked and prayed for this young child an hour And heard the sea-wind scream upon the tower, And under the arches of the bridge, and scream In the elms above the flooded stream; Imagining in excited reverie That the future years had come, Dancing to a frenzied drum, Out of the murderous innocence of the sea. May she be granted beauty and yet not Beauty to make a stranger's eye distraught, Or hers before a looking-glass, for such, Being made beautiful overmuch, Consider beauty a sufficient end, Lose natural kindness and maybe The heart-revealing intimacy That chooses right, and never find a friend. Helen being chosen found life flat and dull And later had much trouble from a fool, While that great Queen, that rose out of the spray, Being fatherless could have her way Yet chose a bandy-leggèd smith for man. It's certain that fine women eat A crazy salad with their meat Whereby the Horn of Plenty is undone. In courtesy I'd have her chiefly learned; Hearts are not had as a gift but hearts are earned By those that are not entirely beautiful; Yet many, that have played the fool For beauty's very self, has charm made wise, And many a poor man that has roved, Loved and thought himself beloved, From a glad kindness cannot take his eyes. May she become a flourishing hidden tree That all her thoughts may like the linnet be, And have no business but dispensing round Their magnanimities of sound, Nor but in merriment begin a chase, Nor but in merriment a quarrel. O may she live like some green laurel Rooted in one dear perpetual place. My mind, because the minds that I have loved, The sort of beauty that I have approved, Prosper but little, has dried up of late, Yet knows that to be choked with hate May well be of all evil chances chief. If there's no hatred in a mind Assault and battery of the wind Can never tear the linnet from the leaf. An intellectual hatred is the worst, So let her think opinions are accursed. Have I not seen the loveliest woman born Out of the mouth of Plenty's horn, Because of her opinionated mind Barter that horn and every good By quiet natures understood For an old bellows full of angry wind? Considering that, all hatred driven hence, The soul recovers radical innocence And learns at last that it is self-delighting, Self-appeasing, self-affrighting, And that its own sweet will is Heaven's will; She can, though every face should scowl And every windy quarter howl Or every bellows burst, be happy still. And may her bridegroom bring her to a house Where all's accustomed, ceremonious; For arrogance and hatred are the wares Peddled in the thoroughfares. How but in custom and in ceremony Are innocence and beauty born? Ceremony's a name for the rich horn, And custom for the spreading laurel tree.
Robert Frost
Robert Frost

"Home Burial" (https://poets.org/poem/home-burial)

He saw her from the bottom of the stairs Before she saw him. She was starting down, Looking back over her shoulder at some fear. She took a doubtful step and then undid it To raise herself and look again. He spoke Advancing toward her: ‘What is it you see From up there always—for I want to know.’ She turned and sank upon her skirts at that, And her face changed from terrified to dull. He said to gain time: ‘What is it you see,’ Mounting until she cowered under him. ‘I will find out now—you must tell me, dear.’ She, in her place, refused him any help With the least stiffening of her neck and silence. She let him look, sure that he wouldn’t see, Blind creature; and awhile he didn't see. But at last he murmured, ‘Oh,’ and again, ‘Oh.’ ‘What is it—what?’ she said. ‘Just that I see.’ ‘You don't,’ she challenged. ‘Tell me what it is.’ ‘The wonder is I didn’t see at once. I never noticed it from here before. I must be wonted to it—that’s the reason. The little graveyard where my people are! So small the window frames the whole of it. Not so much larger than a bedroom, is it? There are three stones of slate and one of marble, Broad-shouldered little slabs there in the sunlight On the sidehill. We haven’t to mind those. But I understand: it is not the stones, But the child’s mound—’ ‘Don’t, don’t, don’t, don’t,’ she cried. She withdrew shrinking from beneath his arm That rested on the bannister, and slid downstairs; And turned on him with such a daunting look, He said twice over before he knew himself: ‘Can’t a man speak of his own child he’s lost?’ ‘Not you! Oh, where’s my hat? Oh, I don’t need it! I must get out of here. I must get air. I don’t know rightly whether any man can.’ ‘Amy! Don’t go to someone else this time. Listen to me. I won’t come down the stairs.’ He sat and fixed his chin between his fists. ‘There’s something I should like to ask you, dear.’ ‘You don’t know how to ask it.’ ‘Help me, then.’ Her fingers moved the latch for all reply. ‘My words are nearly always an offense. I don’t know how to speak of anything So as to please you. But I might be taught I should suppose. I can’t say I see how. A man must partly give up being a man With women-folk. We could have some arrangement By which I’d bind myself to keep hands off Anything special you’re a-mind to name. Though I don’t like such things ’twixt those that love. Two that don’t love can’t live together without them. But two that do can’t live together with them.’ She moved the latch a little. ‘Don’t—don’t go. Don’t carry it to someone else this time. Tell me about it if it’s something human. Let me into your grief. I’m not so much Unlike other folks as your standing there Apart would make me out. Give me my chance. I do think, though, you overdo it a little. What was it brought you up to think it the thing To take your mother—loss of a first child So inconsolably—in the face of love. You’d think his memory might be satisfied—’ ‘There you go sneering now!’ ‘I’m not, I’m not! You make me angry. I’ll come down to you. God, what a woman! And it’s come to this, A man can’t speak of his own child that’s dead.’ ‘You can’t because you don’t know how to speak. If you had any feelings, you that dug With your own hand—how could you?—his little grave; I saw you from that very window there, Making the gravel leap and leap in air, Leap up, like that, like that, and land so lightly And roll back down the mound beside the hole. I thought, Who is that man? I didn’t know you. And I crept down the stairs and up the stairs To look again, and still your spade kept lifting. Then you came in. I heard your rumbling voice Out in the kitchen, and I don’t know why, But I went near to see with my own eyes. You could sit there with the stains on your shoes Of the fresh earth from your own baby’s grave And talk about your everyday concerns. You had stood the spade up against the wall Outside there in the entry, for I saw it.’ ‘I shall laugh the worst laugh I ever laughed. I’m cursed. God, if I don’t believe I’m cursed.’ ‘I can repeat the very words you were saying. “Three foggy mornings and one rainy day Will rot the best birch fence a man can build.” Think of it, talk like that at such a time! What had how long it takes a birch to rot To do with what was in the darkened parlor. You couldn’t care! The nearest friends can go With anyone to death, comes so far short They might as well not try to go at all. No, from the time when one is sick to death, One is alone, and he dies more alone. Friends make pretense of following to the grave, But before one is in it, their minds are turned And making the best of their way back to life And living people, and things they understand. But the world's evil. I won’t have grief so If I can change it. Oh, I won’t, I won’t!’ ‘There, you have said it all and you feel better. You won’t go now. You’re crying. Close the door. The heart’s gone out of it: why keep it up. Amy! There’s someone coming down the road!’ ‘You—oh, you think the talk is all. I must go— Somewhere out of this house. How can I make you—’ ‘If—you—do!’ She was opening the door wider. ‘Where do you mean to go? First tell me that. I’ll follow and bring you back by force. I will!—’
D.H. Lawrence
D.H. Lawrence

"The Piano"

Softly, in the dusk, a woman is singing to me; Taking me back down the vista of years, till I see A child sitting under the piano, in the boom of the tingling strings And pressing the small, poised feet of a mother who smiles as she sings. In spite of myself, the insidious mastery of song Betrays me back, till the heart of me weeps to belong To the old Sunday evenings at home, with winter outside And hymns in the cosy parlour, the tinkling piano our guide. So now it is vain for the singer to burst into clamour With the great black piano appassionato. The glamour Of childish days is upon me, my manhood is cast Down in the flood of remembrance, I weep like a child for the past.
Dylan Thomas
Dylan Thomas

"Fern Hill"- poets.org/fernhill

Now as I was young and easy under the apple boughs About the lilting house and happy as the grass was green, The night above the dingle starry, Time let me hail and climb Golden in the heydays of his eyes, And honoured among wagons I was prince of the apple towns And once below a time I lordly had the trees and leaves Trail with daisies and barley Down the rivers of the windfall light. And as I was green and carefree, famous among the barns About the happy yard and singing as the farm was home, In the sun that is young once only, Time let me play and be Golden in the mercy of his means, And green and golden I was huntsman and herdsman, the calves Sang to my horn, the foxes on the hills barked clear and cold, And the sabbath rang slowly In the pebbles of the holy streams. All the sun long it was running, it was lovely, the hay Fields high as the house, the tunes from the chimneys, it was air And playing, lovely and watery And fire green as grass. And nightly under the simple stars As I rode to sleep the owls were bearing the farm away, All the moon long I heard, blessed among stables, the nightjars Flying with the ricks, and the horses Flashing into the dark. And then to awake, and the farm, like a wanderer white With the dew, come back, the cock on his shoulder: it was all Shining, it was Adam and maiden, The sky gathered again And the sun grew round that very day. So it must have been after the birth of the simple light In the first, spinning place, the spellbound horses walking warm Out of the whinnying green stable On to the fields of praise. And honoured among foxes and pheasants by the gay house Under the new made clouds and happy as the heart was long, In the sun born over and over, I ran my heedless ways, My wishes raced through the house high hay And nothing I cared, at my sky blue trades, that time allows In all his tuneful turning so few and such morning songs Before the children green and golden Follow him out of grace, Nothing I cared, in the lamb white days, that time would take me Up to the swallow thronged loft by the shadow of my hand, In the moon that is always rising, Nor that riding to sleep I should hear him fly with the high fields And wake to the farm forever fled from the childless land. Oh as I was young and easy in the mercy of his means, Time held me green and dying Though I sang in my chains like the sea.
Ted Hughes
Ted Hughes

"Pike"

Pike, three inches long, perfect
Pike in all parts, green tigering the gold.
Killers from the egg: the malevolent aged grin.
They dance on the surface among the flies.

Or move, stunned by their own grandeur,
Over a bed of emerald, silhouette
Of submarine delicacy and horror.
A hundred feet long in their world.

In ponds, under the heat-struck lily pads –
Gloom of their stillness:
Logged on last year’s black leaves, watching upwards.
Or hung in an amber cavern of weeds

The jaws’ hooked clamp and fangs
Not to be changed at this date;
A life subdued to its instrument;
The gills kneading quietly, and the pectorals.

Three we kept behind glass,
Jungled in weed: three inches, four,
And four and a half: fed fry to them –
Suddenly there were two. Finally one.

With a sag belly and the grin it was born with.
And indeed they spare nobody.
Two, six pounds each, over two feet long
High and dry and dead in the willow-herb –

One jammed past its gills down the other’s gullet:
The outside eye stared: as a vice locks –
The same iron in this eye
Though its film shrank in death.

A pond I fished, fifty yards across,
Whose lilies and muscular tench
Had outlasted every visible stone
Of the monastery that planted them –

Stilled legendary depth:
It was as deep as England. It held
Pike too immense to stir, so immense and old
That past nightfall I dared not cast

But silently cast and fished
With the hair frozen on my head
For what might move, for what eye might move.
The still splashes on the dark pond,

Owls hushing the floating woods
Frail on my ear against the dream
Darkness beneath night’s darkness had freed,
That rose slowly towards me, watching.

Rabindranath Tagore
Rabindranath Tagore

"Where the mind is without fear" (Gitanjali 35)

Where the mind is without fear and the head is held high; Where knowledge is free; Where the world has not been broken up into fragments by narrow domestic walls; Where words come out from the depth of truth; Where tireless striving stretches its arms towards perfection; Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit; Where the mind is led forward by thee into ever-widening thought and action— Into that heaven of freedom, my Father, let my country awake.
Kaiser Haq
Kaiser Haq

"Learning Grief"

A study in contrast: at eight I was dragged from bed To hand a glass of water To grandmother in deathbed. She drank I went back to sleep And when I woke up It was so the stillness And stifled sobs Of mourning. Relations arrived And religious professionals Droning from scriptures As essence smoke rose In fragrant coils Father was red-eyed Withdrawn a sight To be commented on By my neighborhood friends His mother has died, they said, Clucking in sympathy I remember feeling Nothing except that the whole Scene was novel. The clock Of my life did not stop As I did when I was ten And a sister arrived like a silver Of moonlight erased Almost at once by a dark mop Of cloud: winter pneumonia. Mother’s gloom was long As the night, and at school Day after tasteless day Under the austere miniature Of the crucifixion I went through lesions and exercises, Sombre as any penitent monk. Watching friends at play, At their pranks, I thought: I’ll never laugh or smile, I’ll never Feel joy again. Everyone, Bless them, left me alone Until one day, like the earth Feeling its contours change As seeds detonate under rain I felt the clock of my life begin To tick again as a joke Burst from my lips. I can laugh again, I thought Smiling. I had learned grief.
Literary Terms:
Prosody

Accent, Foot/ Measure, Blank Verse, Rhyme, Tercet, Couplet, Heroic Couplet, Scansion of verse and others.

211107 - Introduction to Prose: Fiction and Non-Fiction

Introduction to Prose: Fiction and Non-Fiction

Marks: 100 | Credits: 4 | Class Hours: 60

Non-Fiction:
  • F. Bacon - "Of Studies"
  • A. Lincoln - "Gettysburg Address"
  • R. Tagore - "Letter to Lord Chelmsford Rejecting Knighthood"
  • G. Orwell - "Shooting an Elephant"
  • Martin Luther King - "I have a dream"
  • N. Mandela - "Long Walk to Freedom"
Fiction:
  • S. Maugham - "The Luncheon"
  • O Henry - "The Gift of the Magi"
  • James Joyce - "Araby"
  • K. Mansfield - "The Garden Party"
  • E. Hemmingway - "A Cat in the Rain"
  • Anita Desai - "Games at Twilight"
Novel:
George Eliot

George Eliot - Silas Marner

Silas Marner: The Weaver of Raveloe is the third novel by George Eliot, published in 1861. An outwardly simple tale of a linen weaver, it is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialization to community.

Paper Code: 212009 - Introducing Sociology

Marks: 100 | Credits: 4 | Class Hours: 60 | Exam Duration: 4 Hours
  1. Definition, Nature & Scope of Sociology, relationship with other social sciences. Development of Sociology: Contributions of Auguste Comte, Herbert Spencer, Emile Durkheim, Max Weber
  2. Culture, Beliefs & Values: Norms, sanctions, symbols, language, subculture, counterculture, hegemony & resistance
  3. Globalization, Culture and Society: Globalization and its different dimensions, Cultural globalization, global culture and social change
  4. Urbanization and Social Formation: Definition of urbanization and urbanism, Process of urbanization in developing societies and social formation, over urbanization, growth of slum & poverty in mega cities
  5. Gender and Society: DisPaper of WID, WAD and GAD, Why gender is important in the disPaper of development, Gender inequality & women's subjugation in developing societies.
  6. Environmental Problems, Natural Disasters and Social Crisis: Climate change and its impact on society, Natural disaster, social crisis and vulnerabilities, Climate change, deforestation and mal-development.
  7. Social Inequality: Dimensions of social inequality: Class, gender, age, minority group (religious and indigenous), economic vulnerability, Social inequalities in developed & developing countries.
  8. Types of societies: Marxist view on classifying societies on the basis of type of control over economic resources and Lenski's view on classifying societies by their main means of Subsistence.
  9. Deviance & Social Control: Definition of deviance, theories of deviance. Crime & justice system, agencies of social control.
  10. Health, Illness and Society: Nature & scope of the problem, Urbanizations, acute, chronic & life style diseases, Social, environmental & behavioural factors affecting health, Communicable & behavioural diseases: STD, HIV/AIDS, TB, Hep-B etc

Reference:

Paper Code: 212111 - Introduction to Social Work

Marks: 100 | Credits: 4 | Class Hours: 60 | Exam Duration: 4 Hours
  1. Social Work: Meaning, Characteristics, Scope and Importance Relationship of Social Work with other Sciences- Sociology, Economics, Psychology and Political Science.
  2. Evolution: Evolution of Social Work in UK, USA, India and Bangladesh.
  3. Social Reformers and their Movements in Pre-partition India and Bangladesh: Raja Rammohan Ray, Ishwar Chandra Vidyasagar, A.K Fazlul Haque, Sir Syad Ahmed, Begum Rokeya.
  4. Social Legislations Related to Social Security, Women Welfare, Child Welfare.
  5. Profession and Social Work: Meaning and Characteristics of Profession, Social Work as profession, Philosophical, Religions and Ethical Basis of Social Work.
  6. Industrial Revolution: Meaning, Impact on Society, Industrialization, Urbanization, Welfare State.
  7. Social Problems and Social Services in Bangladesh.
  8. Methods of Social Work: Basic and Auxiliary Methods and their Basic Issues such as Meaning, Elements, Principles and Area of Use. Importance of Social Work Methods in Bangladesh.

Books Recommended:

  1. Barker, Robert L. Social Work Dictionary, 3rd ed. NASW, New York, 1995.
  2. Coulshed, Veronica Social Work Practice: An Introduction 2nd ed. London. Macmillan, 1991.
  3. Friedlander, Walter A. Introduction to Social Welfare. Prentice Hall, 2nd ed. New Delhi-1967.
  4. Khalid, M. Welfare State, Karachi, Royal Book, 1968
  5. Morales, A. And Shaefor, B. Social Work - A Profession of many faces, 4th ed. Allyan and Bacan, Boston, 1986.

Paper Code: 211909 - Introduction to Political Theory

Marks: 100 | Credits: 4 | Class Hours: 60 | Exam Duration: 4 Hours

Books Recommended:

  1. R.G. Gettell Political Science
  2. J. W. Garner Political Science and Government
  3. R. M. MacIver The Modern State
  4. G.H. Sabine A History of Political Theory
  5. William Ebenstein Great Political Thinkers-Plato to the Present
  6. H.G. Laski A Grammar of Politics
  7. মুহাম্মদ আয়েশ উদ্দীন : রাষ্ট্রচিন্তা পরিচিতি
  8. এমাজউদ্দিন আহমদ : মধ্যযুগের রাষ্ট্রচিন্তা
  9. মোঃ দরবেশ আলী খান : প্লেটো ও এরিস্টটলের রাজনৈতিক চিন্তা
  10. সরদার ফজলুল করিম : প্লেটোর রিপাবলিক

Paper Code: 211501 - History of Emergence of Independent Bangladesh

Marks: 100 | Credits: 4 | Class Hours: 60

Introduction: Scope and description of the emergence of Independent Bangladesh. Writing on this topic.

  1. Description of the country and its people.
    • Geographical features and their influence.
    • Ethnic composition.
    • Language.
    • Cultural syncretism and religious tolerance.
    • Distinctive identity of Bangladesh in the context of undivided Bangladesh.
  2. Proposal for undivided sovereign Bengal and the partition of the Sub Continent, 1947.
    • Rise of communalism under the colonial rule, Lahore Resolution 1940.
    • The proposal of Suhrawardi and Sarat Bose for undivided Bengal : consequences
    • The creation of Pakistan 1947.
  3. Pakistan: Structure of the state and disparity.
    • Central and provincial structure.
    • Influence of Military and Civil bureaucracy.
    • Economic, social and cultural disparity
  4. Language Movement and quest for Bengali identity
    • Misrule by Muslim League and Struggle for democratic politics.
    • The Language Movement: context and phases.
    • United front of Haque - Vasani - Suhrawardi: election of 1954, consequences.
  5. Military rule: the regimes of Ayub Khan and Yahia Khan (1958-1971)
    • Definition of military rules and its characteristics.
    • Ayub Khan's rise to power and characteristics of his rule (Political repression, Basic democracy, Islamisation)
    • Fall of Ayub Khan and Yahia Khan's rule (Abolition of one unit, universal suffrage, the Legal Framework Order)
  6. Rise of nationalism and the Movement for self determination.
    • Resistance against cultural aggression and resurgence of Bengali culture.
    • Sheikh Mujibur Rahman and the six point movement
    • Reactions : Importance and significance
    • The Agortola Case 1968.
  7. The mass- upsurge of 1969 and 11 point movement: background, programme and significance.
  8. Election of 1970 and the Declaration of Independence by Bangabondhu
    • Election result and centres refusal to comply
    • The non co-operation movement, the 7th March, Address, Operation Searchlight
    • Declaration of Independence by Bangabondhu and his arrest
  9. The war of Liberation 1971
    • Genocide, repression of women, refugees
    • Formation of Bangladesh government and proclamation of Independence
    • The spontaneous early resistance and subsequent organized resistance (Mukti Fouz, Mukti Bahini, guerillas and the frontal warfare)
    • Publicity Campaign in the war of Liberation (Shadhin Bangla Betar Kendra, the Campaigns abroad and formation of public opinion)
    • Contribution of students, women and the masses (Peoples war)
    • The role of super powers and the Muslim states in the Liberation war.
    • The Anti-liberation activities of the occupation army, the Peace Committee, Al-Badar, Al-Shams, Rajakars, pro Pakistan political parties and Pakistani Collaborators, killing of the intellectuals.
    • Trial of Bangabondhu and reaction of the World Community.
    • The contribution of India in the Liberation War
    • Formation of joint command and the Victory
    • The overall contribution of Bangabondhu in the Independence struggle.
  10. The Bangabandhu Regime 1972-1975
    • Homecoming
    • Making of the constitution
    • Reconstruction of the war ravaged country
    • The murder of Bangabondhu and his family and the ideological turn-around.

সহায়ক গ্রন্থ:

  1. নীহার রঞ্জন রায়, বাঙালীর ইতিহাস, দে' জ পাবলিশিং, কলকাতা ১৪০২ সাল।
  2. সালাহ্ উদ্দিন আহমেদ ও অন্যান্য (সম্পাদিত), বাংলাদেশের মুক্তি সংগ্রামের ইতিহাস ১৯৪৭-১৯৭১, আগামী প্রকাশনী, ঢাকা ২০০২।
  3. সিরাজুল ইসলাম (সম্পাদিত), বাংলাদেশের ইতিহাস ১৭০৪-১৯৭১, ৩ খন্ড, এশিয়াটিক সোসাইটি অব বাংলাদেশ, ঢাকা ১৯৯২।
  4. ড. হারুন-অর-রশিদ, বাংলাদেশ: রাজনীতি, সরকার ও শাসনতান্ত্রিক উন্নয়ন ১৭৫৭-২০০০, নিউ এজ পাবলিকেশন্স, ঢাকা ২০০১।
  5. ড. হারুন-অর-রশিদ, বাঙালির রাষ্ট্রচিন্তা ও স্বাধীন বাংলাদেশের অভ্যূদয়, আগামী প্রকাশনী, ঢাকা ২০০৩।
  6. ড. হারুন-অর-রশিদ, বঙ্গবন্ধুর অসমাপ্ত আত্মজীবনী পুনর্পাঠ, দি ইউনিভার্সিটি প্রেস লিমিটেড, ঢাকা ২০১৩।
  7. ড. আতফুল হাই শিবলী ও ড.মোঃ মাহবুবর রহমান, বাংলাদেশের সাংবিধানিক ইতিহাস ১৭৭৩-১৯৭২, সূবর্ণ প্রকাশন, ঢাকা ২০১৩।
  8. মুনতাসির মামুন ও জয়ন্ত কুমার রায়, বাংলাদেশের সিভিল সমাজ প্রতিষ্ঠার সংগ্রাম, অবসর, ঢাকা ২০০৬।
  9. আতিউর রহমান, অসহযোগ আন্দোলনের দিনগুলি: মুক্তিযুদ্ধের প্রস্তুতি পর্ব, সাহিত্য প্রকাশ, ঢাকা ১৯৯৮।
  10. ড. মোঃ মাহবুবর রহমান, বাংলাদেশের ইতিহাস, ১৯০৫-৪৭, তাম্রলিপি, ঢাকা ২০১১।
  11. ড. মোঃ মাহবুবর রহমান, বাংলাদেশের ইতিহাস, ১৯৪৭-১৯৭১, সময় প্রকাশন, ঢাকা ২০১২।
  12. সৈয়দ আনোয়ার হোসেন, বাংলাদেশের স্বাধীনতা যুদ্ধে পরাশক্তির ভূমিকা, ডানা প্রকাশনী, ঢাকা ১৯৮২।
  13. আবুল মাল আবদুল মুহিত, বাংলাদেশ: জাতিরাষ্ট্রের উদ্ভব, সাহিত্য প্রকাশ, ঢাকা ২০০০।
  14. শেখ মুজিবুর রহমান, অসমাপ্ত আত্মজীবনী, দি ইউনিভার্সিটি প্রেস লিমিটেড, ঢাকা ২০১২।
  15. সিরাজ উদ্দীন আহমেদ, একাত্তরের মুক্তিযুদ্ধ: স্বাধীন বাংলাদেশের অভ্যূদয়, ইসলামিক ফাউন্ডেশন, ঢাকা ২০১১।
  16. জয়ন্ত কুমার রায়, বাংলাদেশের রাজনৈতিক ইতিহাস, সুবর্ণ প্রকাশন, ঢাকা ২০১০।
  17. Harun-or-Roshid, The Foreshadowing of Bangladesh: Bengal Muslim League and Muslim Politics, 1906-1947, The University Press Limited, Dhaka 2012.
  18. Rounaq Jahan, Pakistan: Failure in National Integration, The University Press Limited, Dhaka 1977.
  19. Talukder Maniruzzaman, Radical Politics and the Emergence of Bangladesh, Mowla, Brothers, Dhaka 2003.
  20. মেসবাহ কামাল ও ঈশানী চক্রবর্তী, নাচোলের কৃষক বিদ্রোহ, সমকালীন রাজনীতি ও ইলা মিত্র, উত্তরণ, ঢাকা ২০০৮।
  21. মেসবাহ কামাল, আসাদ ও ঊনসত্তরের গণঅভ্যুত্থান, বিবর্তন, ঢাকা ১৯৮৬।

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